Question: “What is the Big Deal about Curve Projector Screens?”
To understand why a home theater projector screen should be curved requires you to know a thing or two about aspect ratios. Mainly, this includes the “Widescreen Cinema Standard” or to be specific, the 2.35:1 Aspect ratio. Aspect ratios determine the screen’s shape. A 1:1 aspect ratio indicates that for every 1-measure of width, there will be 1-measure of height. This means that a 1:1 aspect ratio forms a perfect square. A 16:9 or HDTV aspect ratio is an image that will measure 16 units of uniform distance (cm, inches, etc.) of width for every 9 equal units of vertical measurement. In other words, a 16:9 screen that is 16-feet wide will correspondingly be 9-feet tall. Ergo, a Widescreen Cinema aspect ratio would present an image that is 2.35 times as wide as it is tall.
In 1892, Thomas Edison established the 4:3 NTSC aspect ratio. He chose a rectangular measurement of 4 units wide to every 3 corresponding units of height because it matches a human’s binocular field of vision which is 155° x 120°. This established 4:3 as the standard for early cinema and later, television. As more households acquired television sets, theater’s needed a competitive edge and they got it by offering a wider image that gave a more favorable experience. After fluctuating through a myriad of “widescreen” angles from around 1952 to 1957, The Society of Motion Pictures and Television Engineers (SPMTE) settled on a 2.35:1 format as the aperture standard in motion pictures. This would change to 2.39:1 in a 1970 revision but the term “2.35:1” is still used interchangeably today in reference to either the 2.35:1 or 2.39:1 aspect ratios. Fortunately, there is little required to match either format with your typical “2.35:1” aspect ratio projection screen so this tends to work out nicely.
There are many advantages to the Widescreen Cinema Standard aspect ratio. Old 4:3 aspect ratio films literally trapped the viewer by limiting their focus within their own natural field of vision. The wide screen format allowed the viewer to take in a broader image by providing a more dynamic vantage point. In other words, 4:3 limited your ability to see anything more than what the film’s immediate subject material was whereas a 2.35:1 widescreen opens up a broader world allowing you more subject material to take in. The end result is a heightened sense of interactivity since viewers now have the option of focusing on either the main subject matter of the shot or the details of the world surrounding it. This is especially powerful in landscapes or crowd images. There is more of a real-life presence where the viewer is no longer watching a stage but actually following its players through a real world.
There are three major reasons why having a curved projection screen is a good idea. First, it eliminates Pincushion Effect. This is a visual artifact that occurs as image distortion caused by light from the projector travelling unequal distances to various points on the screen. Second, it gives viewers a heightened sense of immersion. Third, it enhances image brightness, giving white screen materials an added defense against the washout effects of ambient light. The following points illustrate each feature.
A widescreen display is ideal for those who primarily use their projection system for cinema presentations.The sleek look really brings home the big theater experience.With curve screens now a common feature on the home theater landscape, it is just the best way to have the aesthetics and big screen excellence in your own home.
The Lunette 2 Series is Elite's curved fixed frame screen. Curved screens design improves image depth and perception while increasing brightness uniformity. A new design feature for the CineWhite™ material is a rubber-edge border that makes installation a lot easier and a lot less time consuming. As an added bonus, a new installation kit is included free of charge.
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About the Author:
Dave Rodgers is a guest writer for numerous publications and the Marketing Manager for Elite Screens Inc., with 20-years experience in the AV and wireless communications industries. He travels worldwide playing an active role with international business development and is regularly consulted in matters of branding and new business development. David has made numerous television, radio and editorial appearances providing installers and Do-It-Yourselfers with easy solutions toward creating larger-than-life big screen applications.