How to order a Sable Frame 2 Series 

Buy Sable Frame 2 Series 


EliteProjector® Ultra-Short Throw Projector

The Sable Frame 2 Series uses Elite Screens CineWhite® UHD-B 1.3 gain material within a velveteen coated frame. A new design feature for the CineWhite® UHD-B material is a rubber-edge border that makes installation a lot easier and a lot less time consuming. As an added bonus, a new installation kit with sliding wall brackets is included free of charge.

Screen Material

  • ISF Certified CineWhite® UHD-B 1.3 Gain front projection material
  • ISF Certified for accurate color reproduction
  • Award Winning CineWhite® 1.1 Gain front projection material with full tension uniformity across entire viewing surface
  • Black Backing eliminates light penetration
  • Outstanding picture quality at any viewing angle with no compromise in resolution or brightness
  • Active 3D, 4K Ultra HD, and HDR Ready
  • Elegant velvet covered frame absorbs projector overshoot and increases picture contrast
  • Compatible with Ultra/Short and Standard throw projectors
    (Check EliteProjector® Ultra-Short Throw Projector)
  • Available in the following range of diagonal sizes:
    • 92" - 200" in 16:9 format
    • 109" and 114" in 16:10 format
    • 115", 125" and 158" in 2.35:1 format


Design and Installation

  • 2.4” width frame and is velvet coated
  • Split-frame design facilitates lower shipping costs without sacrificing quality
  • Easy to assemble and install in minutes
  • Wall brackets allow screen to slide horizontally for properly centered installation
  • Installation kit includes: Woods screws & anchors, Wall Brackets, Screwdriver, Mallet


Quality and Reliability

  • 2-Year / 3-Year ENR-G Manufacturer's Warranty by Elite Screens, an  ISO9001 manufacturer since 2004
  • Lifetime Tech Support by Elite Screens Professional Service Team through Email or Web Chat.


  • Ultra Short-Throw Projector Compatibility

  • Sable Frame 2 Product Video

  • Sable Frame/ezFrame Assembly Video

  • How to Properly Mount a Projection Screen

  • Selecting a Screen Size Educational Video

  • ANSI Lumens and Screen Gain Educational Video

  • Sable Frame 2 Product Video (Spanish)


Dimensions Table

The listed measurements are for general reference only.  Please contact Elite Screens to verify product design and dimensions before attempting to integrate its products with any structural or furniture modification.  Although a manufacturer may offer product advice, it may be taken or disregarded at the integrator’s discretion. Elite Screens will not be held responsible or be otherwise liable for faulty installations.

Decoding the Model Number
Model Number = ER115WH2-Wide
ER = Sable Frame Series
115 = Nominal Diagonal Size
W = Matte White screen material
H = HDTV 16:9 aspect ratio
(S = Standard 1:1 / V = 4:3 / X = 16:10 / C = 2.35:1)
2 = Version 2
WIDE = 2.35:1 aspect ratio

Sable Frame 2 Series Dimensions Table
Model NumberDiag. SizeAspect RatioView Area (HxW)Screen MaterialCase ColorGainViewing Width (A)Overall Width (A1)Viewing Height (B)Overall Height (B1)Frame Width (C)Frame Depth(D)
Model NumberDiag. SizeAspect RatioView Area (HxW)Screen MaterialCase ColorGainViewing Width (A)Overall Width (A1)Viewing Height (B)Overall Height (B1)Frame Width (C)Frame Depth(D)
ER106WH2106"16:952.0"x92.4"CineWhite®BlackGain 1.192.497.
ER110WH2110"16:953.9"x95.9"CineWhite®BlackGain 1.195.9100.653.958.72.41.6
ER120WH2120"16:958.8"x104.6"CineWhite®BlackGain 1.1104.6109.358.863.52.41.6
ER135WH2135"16:966.1"x117.7"CineWhite®BlackGain 1.1117.7122.466.
ER150WH2150"16:973.6"x130.7"CineWhite®BlackGain 1.1130.7135.473.678.32.41.6
ER165WH2165"16:980.9"x143.8"CineWhite®BlackGain 1.1143.8148.580.985.62.41.6
ER180WH2180"16:988.2"x156.9"CineWhite®BlackGain 1.1156.9161.688.
ER200WH2200"16:998.0"x174.4"CineWhite®BlackGain 1.1174.4179.198.0102.82.41.6
ER114WX2114"16:1060.0"x96.0"CineWhite®BlackGain 1.196.0100.760.
ER115WH2-Wide115"2.35:145.0"x105.8"CineWhite®BlackGain 1.1105.8110.645.
ER125WH2-Wide125"2.35:148.9"x115.0"CineWhite®BlackGain 1.1115.0119.748.953.72.41.6
ER158WH2-Wide158"2.35:161.9"x145.4"CineWhite®BlackGain 1.1145.4150.161.966.62.41.6

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Sable Frame 2 Series Dimensions Table (Z Type)
Model NumberDiag. SizeAspect RatioView Area (HxW)Screen MaterialGainViewable Width (A1)Viewable Height (A2)Overall Width (B1)Frame Width (B2/D2)Overall Height (C1)C2Frame Depth (D1)
Model NumberDiag. SizeAspect RatioView Area (HxW)Screen MaterialGainViewable Width (A1)Viewable Height (A2)Overall Width (B1)Frame Width (B2/D2)Overall Height (C1)C2Frame Depth (D1)
ER106WH2106"16:952.0"x92.5"CineWhite® UHD-BGain 1.392.552.097.22.456.72.41.4
ER120WH2120"16:959.1"x104.7"CineWhite® UHD-BGain 1.3104.759.1109.42.463.82.41.4
ER165WH2165"16:980.7"x143.7"CineWhite® UHD-BGain 1.3143.780.7148.42.485.42.41.4
ER180WH2180"16:988.2"x156.7"CineWhite® UHD-BGain 1.3156.788.2161.42.492.92.41.4

Sable Frame 2 Series Packaging Dimensions
Model NumberDiag. SizeAspect RatioN.W. (lbs.)G. W. (lbs.)N. W. (Kgs)G. W. (Kgs)Packaging Dimensions (LxHxW)
Model NumberDiag. SizeAspect RatioN.W. (lbs.)G. W. (lbs.)N. W. (Kgs)G. W. (Kgs)Packaging Dimensions (LxHxW)
ER92WH292"16:922.6 lb31.3 lb10.3 kg14.2 kg56.7"x6.7"x11.8"
ER100WH2100"16:924.3 lb33.7 lb11.0 kg15.3 kg61.4"x6.7"x11.8"
ER106WH2106"16:925.9 lb36.1 lb11.8 kg16.4 kg63.5"x6.7"x11.8"
ER110WH2110"16:926.5 lb35.4 lb12.0 kg16.1 kg65.5"x6.5"x13.4"
ER120WH2120"16:928.7 lb37.9 lb13.0 kg17.2 kg69.7"x6.7"x13.4"
ER135WH2135"16:932.8 lb44.1 lb14.9 kg20.0 kg78.2"x6.7"x15.2"
ER150WH2150"16:936.2 lb48.5 lb16.4 kg22.0 kg85.6"x6.7"x15.2"
ER165WH2165"16:939.6 lb51.9 lb18.0 kg23.5 kg92.9"x5.7"x15.7"
ER180WH2180"16:943.1 lb57.8 lb19.6 kg26.2 kg100.2"x7.7"x15.7"
ER200WH2200"16:948.5 lb64.6 lb22.0 kg29.3 kg110.0"x7.5"x15.7"
ER109WX2109"16:1024.4 lb35.9 lb11.1 kg16.3 kg69.4"x6.7"x11.8"
ER114WX2114"16:1027.1 lb38.0 lb12.3 kg17.2 kg72.0"x6.7"x11.8"
ER115WH2-Wide115"2.35:125.4 lb34.8 lb11.5 kg15.8 kg62.2"x6.7"x11.8"
ER125WH2-Wide125"2.35:127.8 lb37.4 lb12.6 kg16.9 kg67.1"x5.5"x15.8"
ER158WH2-Wide158"2.35:134.2 lb44.7 lb15.5 kg20.3 kg82.3"x5.7"x15.4"




"Great picture but needs muscle to assemble"
"Better picture than our prior screen material which was white front and back. It was "simple" to put together but definitely requires some muscle to stretch the screen to the edges of the frame. It is very easy to push the clips in and the screen doesn't pop out once each clip is in. I recommend one strong person to pull the screen to the frame, and another person (can even be a child) to push the clip into the frame. My husband did the stretching. I consider him to have above average arm and hand strength and he was sweating by the time we were halfway through." - Bycat eon


From an Amazon.com Customer Review

Sable Frame 2 Series- Model Number ER92WH2


"The clips are not as bad as some other reviews make them out to be. I was able to clip about 90% of them in without issue. Elite includes a small rubber mallet for the troublesome ones. As already suggested, wearing gloves helps. Screen looks great and materiel is perfectly taught with the clip system. Awesome design."

Justin Durrant


From an Amazon.com customer review

SableFrame 2 Series

Model Number: ER120WH2

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Q: Can I buy a small screen material sample?

A: Yes, you can buy a screen material sample by clicking here.

Q: What is the difference between the version 1 and version 2 of the (Lunette, Sable Frame, ezFrame) Series?
 While the frame structure and screen material performance remain the same between the version 1 and version 2 of the (Lunette, Sable Frame,ezFrame) series, there are two main differences.

  1. Version 2 features a newly designed material that has a rubber-edge border (does not apply to AcousticPro materials) which makes installation a lot easier and a lot less time consuming.
  2. Version 2 comes with an installation kit that includes wood screws & improved dry-wall anchors, wall brackets, screwdriver, and a mallet.

Both of these new features help speed up the overall process of assembly and installation of your fixed frame projection screen.

Q: I'm considering purchasing an Active 3D projector. What benefits are there in choosing the Airbright 3D2 or CineGrey 5D material?
A: In general, the Airbight 3D2 material is beneficial to use with Active 3D projectors to combat the following.
         - Active 3D projectors lose brightness when 3D mode is activated (approximately 50% of lumens is lost)
         - More is lost when the active shutter glasses are put on. The dark tint of them block the projector's lighting. It's like trying to watch a movie with sunglasses on. 

Both high gains on the Airbright 3D2 and CineGrey 5D materials helps regain brightness levels in 3D mode, and the high gain avaialble on the Airbright 3D2 allows for some ambient light to be on without washing out the projected image as typically experienced on matte white surfaces. 

The loss of brightness impacts the true home theater experience by producing a dim and bland image.  We recommend using the Airbright 3D2 for this reason.

QI have a 16:9 (HDTV) home theater projector but I'd like to have a presentation that has a 2.35:1 (Cinemascope) aspect ratio on a 2.35:1 projection screen.  Do I need an anamorphic lens for this?
A: For the best possible results, an anamorphic lens is recommended.  However, it is possible to get a 2.35:1 screen format as long as you can live with the "black bars" created when a mismatched 16:9 native aspect ratio projecto is set up to fit a wider projection screen format.  It is simply a matter of personal preference. 

Q: What is the advantage of having a black velvet covered frame?
A: In addition to an appealing aesthetic appearance, the advantage of having a black velvet covered frame is to help absorb projector overshoot.

Q: What is the difference between the ezFrame and the Sable Frame series?
 The Sable Frame and ezFrame frame have different frame designs. The SableFrama has an Astragal (half round surface flanked by 2-flat sides) profile as opposed to the ezFrame’s standard (wedge or sloped-edgethe frames are different only to suit different aesthetic needs.  Please see this PDF for an illustration of the differences.  Both frames come in 16:9, 16:10, and 2.35:1 aspect ratios. Both are also available in Cinegrey, Cinegrey5d, Cinewhite, Powergain, and AcousticPro1080P2. The ezFrame is different in that it is also 4:3 aspect ratio and it is available with AcousticPro1080P3 and WraithVeil(rear projection) screen material.

Q: What are the benefits of using a Passive 3D Polarized Silver projection screen material? Do the Elite AirBright 3D2 and CineGrey 5D projection screens fit this category?
A: 3D imaging occurs at a lower level of brightness than regular 2D presentations. Also, it is difficult to maintain polarization on regular projection screen materials. The benefits of Passive 3D polarized silver projection screens are that they increase the brightness of projected 3D images while allowing them to  maximize retaining image polarization levels. Lastly, its diffusion layer enhances contrast. Although passive 3D imaging can arguably be performed on other projection materials, the polarized silver materials optimize overall 3D performance with the best results.
Yes, the Airbright 3D2 and CineGrey 5D projection screens are passive 3D polarized silver projection screens made for the specific reasons specified in the first part of this answer. The Airbright 3D2 is the standard retail model  while the CineGrey 5D has added contrast levels for enhanced contrast and diffusion moderation.

Q: What do I need to have a complete passive 3D projection system professional grade in my home/office or classroom ?

  1. 3D Polarized Silver Screen: Elite Screens Airbright3D2 on either a fixed frame or tensioned electric “roll-up” configuration.
  2. Two Projectors (DLP or LCD or Lcos), any brand ok. *Pref. matching models that have the same resolution, aspect ratio, and throw distance for the best results.
  3. One Airflex5D system (check www.Airflex5D.com)

Q: What are the advantages of Passive 3D over Active 3D technology?
A: Passive 3D occurs in real time with both eyes seeing an actual picture as opposed to the alternating right-Left eye flickering of active 3D technology. The advantage in this is that the image is brighter because it is simultaneously shown to both eyes. With Active 3D the glasses obstruct the vision of one eye while allowing the other to see the picture alternating at about 60 exposures per eye per second. Essentially the viewer is blindfolded half the time without really being aware of it. The “flickering” of Active 3D technology is that  cross-talk and shadowing artifacts occur more easily. It also has a higher tendency to create eye-discomfort in viewers. Passive 3D allows viewers to see the image more comfortably  with greater brightness and clarity. Passive 3D glasses are also inexpensive so that they may be easily obtained in quantity and do not suffer from mechanical malfunction like the electrically powered active 3D glasses

For more information  about Active 3D and Passive 3D, please check the comparison chart here.


Q: Is there a reason Elite Screens no longer offers 2.35:1 aspect ratio screens? I'm new to home theater and only watch movies in the room, not TV or sports. So, it seemed to be more dramatic to go with the 2.35:1 wide-screen format.
A: The 2.35:1 is primarily for a dedicated home cinema room. With this said, we have left this aspect ratio to our sister company EPV Screens which specializes in dedicated home theater projection screens.

Please visit, www.epvscreens.com for more information on the sizes they carry.



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