How to order a Lunette2 Series 

 Buy Lunette 2 Series

The Lunette 2 Series is Elite Screens curved fixed frame screen.  Curved screens design improves image depth and perception while increasing brightness uniformity. A new design feature for the CineWhite® material is a rubber-edge border that makes installation a lot easier and a lot less time consuming. As an added bonus, a new installation kit is included free of charge.

Screen Material

  • Award winning CineWhite® 1.1 Gain front projection material with black backing full tension uniformity across entire viewing surface
  • Outstanding picture quality at any viewing angle with no compromise in resolution or brightness
  • 4K Ultra HD, Active 3D, and HDR Ready
  • Available in the following diagonal sizes:
    • 84” – 180" in 16:9 format 
    • 115” – 166” in 2.35:1format


Design and Installation

  • Permanently tensioned Curved Fixed Frame Projection Screen
  • Curvature enhances contrast levels with decreased incident light while creating a heightened sense of immersion
  • No specialized projector required
  • 40’ fixed radial curvature also eliminates the pincushion effect
  • Velvet covered 3.5"width aluminum frame border
  • Installation kit includes: Woods screws & anchors, Wall Brackets, Screwdriver, Mallet


Quality and Reliability

  • 2-Year / 3-Year ENR-G Manufacturer's Warranty by Elite Screens, an  ISO9001 manufacturer since 2004
  • Lifetime Tech Support by Elite Screens Professional Service Team through Email or Web Chat.
  • Ultra Short-Throw Projector Compatibility

  • Lunette 2 Series Product Video

  • How to Properly Mount a Projection Screen

  • Selecting a Screen Size Educational Video

  • ANSI Lumens and Screen Gain Educational Video


Dimensions Table

The listed measurements are for general reference only. Please contact Elite Screens to verify product design and dimensions before attempting to integrate its products with any structural or furniture modification. Although a manufacturer may offer product advice, it may be taken or disregarded at the integrator’s discretion. Elite Screens will not be held responsible or be otherwise liable for faulty installations.

Decoding the Model Number
Model Number = Curve235-115W2
Curve = Curved Fixed Frame Screen
235 = 2.35:1 aspect ratio
115 = Nominal Diagonal Size
W = Matte White screen material
(H = HDTV 16:9 aspect ratio)
2 = Version 2

Lunette2 Series Dimensions Table
ModelDiag. SizeAspect RatioView Area (HxW)Screen MaterialCase ColorGainOverall Length (A)View Width (A1)Frame Width (A2)Overall Height (B)View Height (B1)Frame Height (B2)CFrame Depth (D)Distance Between Brackets (E)Distance Between Top/Bottom Outer Brackets (F)
ModelDiag. SizeAspect RatioView Area (HxW)Screen MaterialCase ColorGainOverall Length (A)View Width (A1)Frame Width (A2)Overall Height (B)View Height (B1)Frame Height (B2)CFrame Depth (D)Distance Between Brackets (E)Distance Between Top/Bottom Outer Brackets (F)
Curve84WH284"16:941.2"x73.2"CineWhite®BlackGain 1.180.373.23.548.341.
Curve92WH292"16:945.1"x80.2"CineWhite®BlackGain 1.187.380.23.552.
Curve100WH2100"16:949.1"x87.2"CineWhite®BlackGain 1.194.387.23.556.
Curve110WH2110"16:953.9"x95.9"CineWhite®BlackGain 1.1103.095.93.561.
Curve120WH2120"16:958.8"x104.6"CineWhite®BlackGain 1.1111.7104.63.565.958.
Curve135WH2135"16:966.2"x117.7"CineWhite®BlackGain 1.1124.8117.73.573.366.
Curve150WH2150"16:973.5"x130.7"CineWhite®BlackGain 1.1137.8130.73.580.673.
Curve180WH2180"16:988.3"x156.9"CineWhite®BlackGain 1.1164.0156.93.595.388.
Curve235-115W2115"2.35:145.0"x105.8"CineWhite®BlackGain 1.1112.9105.83.552.
Curve235-125W2125"2.35:148.9"x115.0"CineWhite®BlackGain 1.1122.1115.03.556.
Curve235-138W2138"2.35:154.0"x127.0"CineWhite®BlackGain 1.1134.1127.03.561.
Curve235-158W2158"2.35:161.9"x145.4"CineWhite®BlackGain 1.1152.4145.43.568.961.
Curve235-166W2166"2.35:165.0"x152.7"CineWhite®BlackGain 1.1159.8152.73.572.

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Lunette2 Series Packaging Dimensions
ModelDiag. SizeAspect RatioN.W. (lbs.)G.W. (lbs.)N.W. (kgs)G.W. (Kgs)Packaging Dimensions (LxWxH)
ModelDiag. SizeAspect RatioN.W. (lbs.)G.W. (lbs.)N.W. (kgs)G.W. (Kgs)Packaging Dimensions (LxWxH)
Curve84WH284"16:924.4 lb34.4 lb11.1 kg15.6 kg84.4"x15.7"x5.5"
Curve92WH292"16:927.9 lb37.7 lb12.7 kg17.1 kg91.5"x13.6"x5.3"
Curve100WH2100"16:930.3 lb40.6 lb13.7 kg18.4 kg98.4"x13.6"x5.3"
Curve110WH2110"16:933.6 lb33.6 lb15.2 kg20.2 kg107.4"x13.6"x5.3"
Curve120WH2120"16:935.6 lb48.1 lb16.1 kg21.8 kg115.9"x13.6"x5.3"
Curve135WH2135"16:940.7 lb56.3 lb18.4 kg25.5 kg128.9"x15.4"x5.3"
Curve150WH2150"16:944.8 lb62.5 lb20.3 kg28.3 kg141.9"x15.4"x5.3"
Curve180WH2180"16:954.9 lb79.5 lb24.9 kg36.1 kg168.1"x17.1"x6.1"
Curve235-115W2115"2.35:131.9 lb44.8 lb14.5 kg20.3 kg117.1"x13.6"x5.3"
Curve235-125W2125"2.35:136.1 lb52.1 lb16.4 kg23.6 kg126.2"x15.4"x5.3"
Curve235-138W2138"2.35:138.9 lb56.4 lb17.6 kg25.6 kg138.2"x15.4"x5.3"
Curve235-158W2158"2.35:144.0 lb65.0 lb19.9 kg29.5 kg155.6"x16.9"x6.3"
Curve235-166W2166"2.35:146.3 lb68.8 lb21.0 kg31.2 kg164.0"x17.1"x6.1"




The Lunette was named a "Top Pick" by Sound & Vision Magazine. Click here for more details.
“Outstanding picture at any viewing angle, cinematic curvature, excellent value”
 -Thomas J. Norton, March 13, 2013 – Home Theater / Sound & Vision.
Click here to read Thomas Norton's complete professional review of our CineWhite (on a Lunette fixed frame).



Q: Can I buy a small screen material sample?

A: Yes, you can buy a screen material sample by clicking here.

Q: What is the difference between the version 1 and version 2 of the (Lunette, Sable Frame, ezFrame) Series?
While the frame structure and screen material performance remain the same between the version 1 and version 2 of the (Lunette, Sable Frame,ezFrame) series, there are two main differences.
Version 2 features a newly designed material that has a rubber-edge border (does not apply to AcousticPro materials) which makes installation a lot easier and a lot less time consuming.
Version 2 comes with an installation kit that includes wood screws & improved dry-wall anchors, wall brackets, screwdriver, and a mallet.
Both of these new features help speed up the overall process of assembly and installation of your fixed frame projection screen.

Q: I have a native 16:9 4K projector and a 2.35:1 cinemascope projection screen; so, do I need an anamorphic lens to view full size 16:9 content on that 2.35 screen?
A : Yes, if you are going for optimal performance and “no” if your projector has lens memory and you cannot reconcile with the cost of the anamorphic lens. Here is the difference for each.


Projecting onto a 2.35:1 screen (lens zooming): On a native 16:9 4K projector, lens memory is a pre-set feature that allows you to letterbox zoom and fit the 2.35:1 screen’s footprint. To many, this looks good enough. The bad news is that you are losing 25% (over 2,000,000) pixels. They are not gone; they just appear black to give the illusion of no longer being there. Because 25% of your pixels are out of the game and your projector is trying to stretch what is left to fill your screen, you lose 1/3 of your resolution and 25-30% of your brightness depending on the settings you choose.  It is also worth mentioning that when your projector blacks out 25% of your pixels, it absorbs the light energy which manifests itself as excess heat inside of your projector.  Over time, this excess heat will shorten your projector’s operational lifespan. Some projectors have lens memory so you can switch them at the click of a button but should the projector not have this capability, you’d have to perform this manually through your remote.


Projecting onto a 2.35:1 screen (Anamorphic lens):  In order to take full advantage of all of the pixels from your projector (maximize brightness and resolution) you will need an anamorphic lens and avoid the extra light from over spilling beyond the limits of your 2.35 screen. In other words, your projector needs an anamorphic lens to maximize your video performance.  A memory lens horizontally stretches your image while electronically upscaling your 16:9 projector’s vertical resolution. This means you get the 2.35:1 performance without losing brightness or resolution.  Because you are not running black content in letterbox mode for hours on end, this puts less wear and tear on your projector. 


Other options, projecting 16:9 content onto a 2.35:1 Screen: You can still project a 16:9 image onto a 2.35 screen but the image will be smaller and you will have empty space on the sides.  No anamorphic lens is needed in this case but you would have to manually adjust for both aspect ratios when viewing 16:9 and 2.35:1 content. 

Q: What is the degree of the curve on the Lunette 2 series?
The degree of the curve on the Lunette 2 is 15 degrees

Q: Do I need an anamorphic lens with a 16:9 aspect ratio Lunette 2 Series screen?
No, an anamorphic lens is not required for a 16:9 aspect ratio screen.  You would only need an anamorphic lens to "stretch" your 2.35:1 image onto a 2.35:1 aspect ratio screen when using a 16:9 projector to eliminate the top and bottom black bars.

Q: Does the 16:9 format suffer from the 2.35:1 "pincushion" or "barrel" effect?
No, the 16:9 format does not suffer from the "pincushion" or "barrel" effect that is experience on the 2.35:1 aspect ratio due to its wider format.

Q: If I buy a curved projection screen, do I need a special HD projector or lens because it's a curved screen?
Curved screens do not require a special HD (high-definition) projector or lens.  A curved screen’s design primarily improves image depth and perception while increasing brightness uniformity. It also creates a heightened sense of immersion for an improved cinematic experience.

See the complete list of FAQ here


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