Aeon CineGrey 5D® Series

There is a hex screw that must first be inserted on the back channel of the bottom and top frames. Then, the center support bar attaches to the hex screw.

Most ultra-short throw projectors despite claiming they can go up to a certain size, if they have a focus adjustment should be able to adjust the picture to 103” (if a 100” UST projector) or 123” (if a 120” UST projector) and fill in the entire screen area. In some cases, certain UST projectors that have a fixed focus lens can go up to 103” and 123” with minimal impact on the picture and allowing to fill in the screen size.

Elite Screens offers replacement materials for 4:3, 16:9, and 2.35:1 fixed frame screens.

Decoding the model number: ZR92WH1-M

ZR- Sable Frame / ezFrame Series Replacement Material
92= Diagonal Size of 92″
W= CineWhite
H= 16:9 Aspect Ratio (V= 4:3, Wide= 2.35:1)
-M = Screen Type

ZAR : Aeon Series Replacement Material
Z-SBSF : Sable Frame B2 Series Replacement Material

In addition to an appealing aesthetic appearance, the advantage of having a black velvet covered frame is to help absorb projector overshoot.

Center support bar for larger size fixed frame screens goes inside the top of the groove located on the back of the frame.

Elite Screens does not recommend attempting such an installation as in most cases it would not be possible. This is because the frame has to be lifted directly above and then placed down onto the brackets. The brackets will then latch onto the grooves of the frame and hold it in place. Mounting the wall brackets flush to the wall and ceiling would not provide the clearance needed for the frame to be lifted above the brackets. Elite Screens recommends the wall brackets be placed no closer than 4-6”(depending on the thickness of the frame) below the ceiling as that ditstance would give you the clearance needed to lift the screen above and then onto the brackets.

The CineGrey 3D® (AT)/CineGrey 4D (AT)/CineGrey 5D® are angular reflective front projection materials that reflect at the mirror-opposite angle. If an ultra-short throw projector is used, the material will reflect the steep narrow light and reflect it upwards instead of to the viewer’s eye level.


Image shows how a UST projector with CineGrey 3D looks like in a room with ambient light.



Image shows how a UST projector with CineGrey 3D® looks like in a room with lights turned off


The image appears to look good, but is still reflecting the projector light upwards and causing a hotspot in the middle of the image. Overhead lights are being absorbed/reflected off the material while providing great color saturation, image brightness, and black levels for a contrast rich presentation. Model# AR100DHD3 – CineGrey 3D® EDGE FREE 100” Diagonal 16:9 Fixed Frame with JVC LX-NZ3B 4K HDR Laser Projector



Image shows how good a performance can be obtained using a standard throw projector with ceiling lights above

Elite Screens’ CineGrey 3D® (AT)/4D (AT)/5D® is a color neutral smooth surface with sparkling elements to increase screen gain in an ambient light room environment. These special characteristics incorporates a diffusion layer over a highly reflective surface which scatters ambient light while improving picture performance with a brighter image. The projector itself, however also plays a big part in creating a hot spot. Projectors highest brightness levels are focused in the center, and only about 70% to 80% in the corners. In other words, the uniformity itself is not spread entirely even across the screen, thus creating a brighter spot in the center area. To combat this, we recommend the following.

1. Reduce the projector’s light output by choosing an economy mode
2. Install the projector further away from the screen, minimum of 1.5 x the image width
3. Go with a lower gain screen

No, ultra-short and short-throw projectors are not compatible with CineGrey 3D® (AT)/CineGrey 4D (AT)/5D® angular-reflective materials.

“Yes they can be used with Active 3D projectors.”

The CineGrey 5D®/CineGrey 3D® (AT)/CineGrey 4D (AT) are great for dark room environment also, but we must understand its limitations. First of all, both materials have narrow viewing angles. So if you wish to have a wide seating arrangement after 80 degrees, you will notice a drop in brightness. Second, because they are higher gain screens they reflect more projector brightness. This may tire your eyes, so we recommend using a less brighter mode if your projector has a such setting. If that is not a problem, then these materials will work. And the best thing is, because they are angular reflective material, the projector’s light will not diffuse in all directions like a matte white material. Meaning that they will not scatter the projector’s light and create side lighting. Thus, eliminating the need to absorb it with black velvet or paint a room really dark. Third, because both of these materials are made with a neutral gray substrate, the color balance and temperature will be exceptional. The dark gray also enhances contrast and great color saturation.

Projecting on a matte white screen material in a dedicated Home Cinema, typically requires a dark room environment for a great theatrical experience. Matte White materials diffuse light in all directions since that is their nature. This means that light will scatter everywhere in the room. That is why a dedicated Home Cinema room should try to have as much black walls and light absorbing materials to reduce the amount of scattered light. This scattered light eventually reflects back to the projection image and degrading the contrast ratio, color, and black levels which affect the fidelity of the picture. The CineGrey 5D’s CLR/ALR technology allows the projector’s light to reflect back at the mirror opposite end. This greatly reduces the amount of light scatter and instead focuses the light to the viewer’s sweet spot. In addition, the black microscopic layers improve black levels and color purity to increase the contrast ratio vs a matte white screen material.

CLR®/CLR®2/CLR®3 and CineGrey 3D/5D are Ceiling Ambient Light Rejection Screen fabrics, however the CLR fabrics are especially designed for Ultra Short Throw (UST) Projectors to reject ambient light. The CineGrey 3D/5D are typically made for standard “long-throw” projectors and require the projected light (angle in) to reflect (angle out) at the same angle to the viewer’s eyes, “sweet spot”.

Ceiling mounted UST projectors will not even work with Starbright CLR® materials because the material is specifically orientated to reject “ceiling light” or any type of lighting from above. This means that the screen will reject any overhead light, even from a compatible projector. Theoretically, you could invert the Starbright CLR® material to match with an inverted UST projector but the alignment will still not likely align properly with the human eye to deliver the ideal “sweet-spot” picture performance.

Our CineWhite® material is an excellent screen material that is highly recommended when you have either a really high output (+3000 lumens projector) and/or are able to control the light in your media room (i.e. a dedicated home theater). However, under conditions when a lower output projector, uncontrolled ambient light, or light colored walls and/or ceiling, the CineGrey 5D® has four key features that result in a better overall viewing experience. Video review of the CineGrey 5D® by AV expert Andrew Robinson

A brighter projector (higher lumens) will help with image brightness but it does not help with color contrast or black levels. Since the projected image performance is important here, a contrast-enhancing material such as CineGrey 5D® is essential. White materials will reflect all of the light in the room; the projected light, indoor lighting, and sunlight through windows and doorways, everything. Because of this, the ambient lighting will still spoil image performance even with a bright projector. Ambient light rejecting (ALR) screens such as CineGrey 5D® filter out indirect light allowing your projected image to be what your audience will see instead of the extra glare. In addition to that, the screen’s filter layers enhance black levels and color contrast. This means that shadows, textures and slight variations in color shading in the projected image can be easily seen. Without an ALR material, such detail and clarity will not be visible. As you can see from the photos below, a bright projector does not enhance contrast.

For a complete side-by-side comparison, please Click Here.

Although matte white materials such as CineWhite® are ideal for environments where room lighting can be controlled, the image is easily washed out by ambient light. Ambient Light Rejecting (ALR) materials such as the CineGrey 5D® are suitable for environments where there are high levels of indirect (ambient) light. This material trades off on the wide diffusion uniformity of white materials in favor of a brighter (angular reflective) image. Elite’s CineGrey 5D® incorporates a diffusion layer over a highly reflective surface which scatters ambient light while improving picture performance with a brighter image. This includes color neutrality with enhanced black levels and improvement over Active 3D presentations.

Matte grey was an earlier effort by projection screen manufacturers to enhance projector performance when projectors had limited performance ranges in need of a little help. Matte grey materials added a darker shade to projected images that would enhance black levels to a degree. The down side is that a projector with a high lumens output and interior light control was required. The next generation materials we offer now are CineGrey 3D / CineGrey 5D. The CineGray materials are ambient light rejecting. This means that the new materials will give you flat panel display brightness even with high levels of interior lighting. The old matte grey materials are washed out by interior lighting. Also, the Cinegrey series of ALR and ceiling light rejecting (CLR) screen materials give reference grade quality that is world class certified by the Imaging Science Foundation (ISF) for its professional grade abilities to provide accurate color rendition, contrast, and black/white dynamic range. The CineGrey 3D® has a wider diffusion range while the CineGrey 5D® is brighter. Comparing either CineGrey 3D/5D materials to the old matte grey is like comparing a couple of souped-up Ford Mustangs to a Model T.