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How to order an ezFrame Rear Series

The ezFrame Series offers several screen materials models, including AcousticPro 1080P3 (sound transparent), CineWhite®CineGreyCineGrey 5D®and WraithVeil (rear projection).

Screen Material

  • Gain 2.2
  • Viewing angle: 160° (80° ± LR)
  • Screen surface can be easily cleaned with mild soap and water
  • Mildew resistant
  • 4K Ultra HD, Active 3D, and HDR Ready
  • Available in the following diagonal size:
    • 120" in 16:9 format

 

Design and Installation

  • Home Theater Screen with full tension uniformity
  • Anodized black aluminum frame with black velour surfacing to enhance the appearance with the stylish masked border that absorbs projector light overshoot
  • Easy to assemble and install in minutes
  • Sliding wall mounts ensure the installation is properly centered

 

Quality and Reliability

  • 2-year manufacturer's warranty
  • 3-year warranty offered through ENR-G program (Education, Non-Profit, Religious and Government)
  • Selecting a Screen Size Educational Video

  • ANSI Lumens and Screen Gain Educational Video

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Dimensions Table

The listed measurements are for general reference only. Please contact Elite Screens to verify product design and dimensions before attempting to integrate its products with any structural or furniture modification. Although a manufacturer may offer product advice, it may be taken or disregarded at the integrator’s discretion. Elite Screens will not be held responsible or be otherwise liable for faulty installations. 

Decoding the Model Number
Model Number = R100RH1
R = ezFrame Series
100 = Nominal Diagonal Size
R = WraithVeil Rear Screen Material
H = HDTV 16:9 aspect ratio
(V = 4:3 / X = 16:10 / S = 1:1 / C = 2.35:1)
1 = Version 1
 

ezFrame Rear Series Dimensions Table
Model NumberDiag. SizeAspect RatioView Area (HxW)Screen MaterialCase ColorGainOverall Width (A)View Width (A1)Overall Height (B)View Height (B1)Frame Width (C)Frame Height (D)
Model NumberDiag. SizeAspect RatioView Area (HxW)Screen MaterialCase ColorGainOverall Width (A)View Width (A1)Overall Height (B)View Height (B1)Frame Width (C)Frame Height (D)
R120RH1120"16:958.7"x104.7"WraithVeilBlackGain 2.2109.4104.763.458.72.41.6
Unit

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ezFrame Rear Series Packaging Dimensions
Model NumberDiag. SizeAspect RatioN.W. (lbs.)G.W. (lbs.)N.W. (kgs)G.W. (Kgs)Packaging Dimensions (LxWxH) /Inches
Model NumberDiag. SizeAspect RatioN.W. (lbs.)G.W. (lbs.)N.W. (kgs)G.W. (Kgs)Packaging Dimensions (LxWxH) /Inches
R120RH1120"16:930.5 lb44.0 lb13.9 kg20.0 kg68.0"x4.6"x12.5"
Unit

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Reviews

"Great Screen, Straight Forward Installation and Performed to Expectations" July 29, 2014- ezFrame CineGrey 5D® Series
"After many reviews and hours of research I finally pulled the trigger on the Cinegrey 5D® screen. I watched clips of other screens and am lucky enough to be close enough to Elite and the more expensive competitor, SI, to view this screen and the Black Diamond in person. There is clearly not $1700 dollars difference to justify the more expensive SI BD screen (IMO).
 
Installation: I was prepared for an exercise in futility after reading some of the other reviews here with regards to putting this together. I cleared an open space, laid down two bed sheets over the hardwood and followed the instructions to put it together. Bolting the frame together was a snap. The instructions were clear and being able to lay it all out made is a snap. The felt overlay has a few little shoddy spots (Black Sharpie fixed that) and doesn't perfectly align in one joint, but it's nothing anyone but me will notice. A cordless power drill had this thing together in about 10 minutes.
 
The screen, once laid out on the frame was fairly self explanatory. The nice little red arrows on the frame showing where the snaps lock in was a nice addition. The plastic tubes go in like a tent (Make sure to have the shorter ones on the horizontal and the two long ones on the vertical) and then I placed them in the grooved frame and went around the frame pulling it tight and pushing the screen into place and locking it in place with the snaps. I took my time here and stopped a for a beer, but in all it took no more than 15 minutes to get the screen in place. I was a little worried, because once I completed it there were some waves in the bottom of the screen. Not to fear, once the brace was locked into place it pulled everything very tight. I now had a perfectly smooth ready to hang screen. Piece of cake.
 
Viewing Experience: This section will have an update once my Benq W1070 arrives this week. I used my conference projector as an initial test case. It's an Epson. EX5220, super simple conference room projector and not intended for home theater. I fired it up with the HDMI output from my cable box with no lights and my initial impression was wow. I couldn't believe the picture from this no frills business projector. This thing usually looks washed out with no color pop at all. Then I turned all the lights on in the living room. There are no less than 6 LED lights on and the picture was unfazed. Once again, I was shocked at the picture. Little to no washout at all. Then came the next day. At 2 in the afternoon it's the brightest my living room gets. While there is no direct light, it's still full on daytime. The picture was once again fully watchable with very little washout at all. My wife couldn't tell the difference between the night with all the lights on and the day with the blinds open. I'll give a full review with video once the Benq is installed.
 
I would recommend this screen for anyone with ambient light issues. You're never going to get the same picture as a fully blacked out room, but IMO this is about as close as you are going to get with the lights on. Also, don't expect miracles if you have sunlight shining directly on your screen. Heck, even LCD and Plasmas have issues displaying properly with that problem. Get it, you won't be disappointed.”
Ron Ferguson
Stars:
From an Amazon.com Customer Review ezFrame CineGrey 5D® series
ezFrame Series
Model Number: R100DHD5

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FAQ's

Q: Can I buy a small screen material sample?

A: Yes, you can buy a screen material sample by clicking here.

Q: I have a 16:9 (HDTV) home theater projector but I'd like to have a presentation that has a 2.35:1 (Cinemascope) aspect ratio on a 2.35:1 projection screen.  Do I need an anamorphic lens for this?
A: For the best possible results, an anamorphic lens is recommended.  However, it is possible to get a 2.35:1 screen format as long as you can live with the "black bars" created when a mismatched 16:9 native aspect ratio projecto is set up to fit a wider projection screen format.  It is simply a matter of personal preference. 
Q: What is the advantage of having a black velvet covered frame?
A: In addition to an appealing aesthetic appearance, the advantage of having a black velvet covered frame is to help absorb projector overshoot.
Q: What is the difference between the ezFrame and the SableFrame series?
A: The SableFrame only has models with our CineWhite screen material and the frame design on both of these series vary. Please see this PDF for details.
Q: What are the model numbers for the ezFrame Series?
A: Here is a complete list of the model numbers for the ezFrame Series: R84WV1, R100WV1, R120WV1, R135WV1, R150WV1, R180WV1, R200WV1, R84H1, R84WH1, R92H1, R92WH1, R100H1, R100WH1, R106H1, R106WH1, R110WH1, R120H1, R120WH1, R135H1, R135WH1, R150H1, R150WH1, R165WH1, R180WH1, R200WH1, R109WX1, R114WX1, R144WX1, R171WX1, R206WX1, R100DHD5, R110DHD5, R120DHD5, R135DHD5, R150DHD5, R84RH1, R92RH1, R100RH1, R106RH1, R110RH1, R120RH1, R135RH1, R171RX1, R226RX1, R84WH1-A1080P2, R92WH1-A1080P2, R100WH1-A1080P2, R106WH1-A1080P2, R110WH1-A1080P2, R120WH1-A1080P2, R150WH1-A1080P2, R165WH1-A1080P2, R180WH1-A1080P2, R84WH1-A1080P3, R92WH1-A1080P3, R100WH1-A1080P3, R110WH1-A1080P3, R120WH1-A1080P3, R135WH1-A1080P3, R150WH1-A1080P3, R84DH1, R100DH1, R84RV1, R100RV1, R120RV1, R135RV1, R150RV1, R180RV1, R200RV1
Q: How do you decode model #'s?
A: Each Elite Screens' model number starts with the product series name. Follow by case color (if applicable, certain models only available in one color), screen material, screen aspect ratio and product series version. Lastly, extra black drop and its length (if applicable). Here is an example.

R200WH1
200: 200” Diagonal
R: ezFrame
W: CineWhite Material (H: CineGrey / R: Wraith Veil)
H: 16:9 Format (V: 4:3)
1: Version 1
-A1080P: Acoustic Sound Transparent Material
-A1080P2: New Acoustic Sound Transparent Material
-A4K: Acoustic Sound Transparent Material for 4K projectors
Q: What are the benefits of using a Passive 3D Polarized Silver projection screen material? Do the Elite AirBright3D2 and Airbright5D projection screens fit this category?
A: 3D imaging occurs at a lower level of brightness than regular 2D presentations. Also, it is difficult to maintain polarization on regular projection screen materials. The benefits of Passive 3D polarized silver projection screens are that they increase the brightness of projected 3D images while allowing them to  maximize retaining image polarization levels. Lastly, its diffusion layer enhances contrast. Although passive 3D imaging can arguably be performed on other projection materials, the polarized silver materials optimize overall 3D performance with the best results.
Yes, the Airbright3D2 and Airbright5D projection screens are passive 3D polarized silver projection screens made for the specific reasons specified in the first part of this answer. The Airbright3D2 is the standard retail model  while the  Airbright5D has added contrast levels for enhanced contrast and diffusion moderation.
Q: What do I need to have a complete passive 3D projection system professional grade in my home/office or classroom ?
A:3D Polarized Silver Screen: Elite Screens Airbright3D2 on either a fixed frame or tensioned electric “roll-up” configuration.
Two Projectors (DLP or LCD or Lcos), any brand ok. *Pref. matching models that have the same resolution, aspect ratio, and throw distance for the best results.
One Airflex5D system (check www.Airflex5D.com)

Q: What are the advantages of Passive 3D over Active 3D technology?
A: Passive 3D occurs in real time with both eyes seeing an actual picture as opposed to the alternating right-Left eye flickering of active 3D technology. The advantage in this is that the image is brighter because it is simultaneously shown to both eyes. With Active 3D the glasses obstruct the vision of one eye while allowing the other to see the picture alternating at about 60 exposures per eye per second. Essentially the viewer is blindfolded half the time without really being aware of it. The “flickering” of Active 3D technology is that  cross-talk and shadowing artifacts occur more easily. It also has a higher tendency to create eye-discomfort in viewers. Passive 3D allows viewers to see the image more comfortably  with greater brightness and clarity. Passive 3D glasses are also inexpensive so that they may be easily obtained in quantity and do not suffer from mechanical malfunction like the electrically powered active 3D glasses

For more information  about Active 3D and Passive 3D, please check the comparison chart here.
 

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