Ambient / Ceiling Light Rejecting Acoustically Transparent Screen

Aeon CineGrey 3D® AT Series

ISF Certified Products
GREENGUARD Certified
Ambient Light Rejecting Screens
Acoustically Transparent Screens

Elite Screens’ Aeon CineGrey 3D® AT is a fixed frame ambient and ceiling light rejecting (ALR/CLR®) projection screen that is perforated to permit acoustic transparency for use with in-wall speakers.

The thin frame design maximizes the viewing area into a smaller footprint which is more appealing in appearance and in accommodating room décor. The CineGrey 3D® AT is ISF Certified for accurate color reproduction, contrast and dynamic range to create a bright, crisp, and clear image.

Product WeightN/A
Overall DimsN/A
Viewing Angle

90°

Gain

1.2

Screen Material

Compatible Projection

Standard "Long" Throw

Material Type

Ambient Light Rejecting (ALR/CLR®), Silver & Grey, Acoustic Transparent

Material Hole Size

0.7 mm

How to assemble an M Type – Aeon EDGE FREE® Fixed Frame Screen

Joelster Reviews The Aeon CineGrey 3D® AT – ALR Acoustic Transparent Screen

Aeon CineGrey 3D® AT Series Product Video

Screen Material

  • Ceiling and Ambient Light Rejecting (ALR/CLR®) eliminates up to 65% washout from ambient light
  • Angular Reflective Material for Standard “Long” Throw Projectors. (NOT Compatible with Ultra/Short Throw Projectors)
  • High Contrast material enhances color saturation and black levels for greater shadow detail
  • Polarized for Passive 3D applications
  • Directional Reflectivity angular reflective orientation brings image clarity into the viewer’s line of sight
  • Acoustically Transparent perforated to allow in-wall speakers to sound through the screen
  • ISF Certified for accurate color reproduction, color contrast, and black-white dynamic range.
  • Flame resistant: Complies with NFPA 701 and ASTME84 standards
  • Black backing eliminates light penetration for greater picture clarity

Design and Installation

  • Sleek EDGE FREE® design maximizes viewing area into a smaller footprint
  • Material stretches over internal framework for a tight-tensioned flat surface
  • Lightweight aluminum split-frame design reduces shipping cost with greater portability
  • Spring and grommet attachments easily attach the screen material with perfect surface tension
  • Ultra-thin black aluminum bezel protects and formats the projection surface
  • Easy DIY design assembles and installs in minutes
  • Sliding wall mount kit is included for adjustable alignment

Quality and Reliability

  • GREENGUARD® / GREENGUARD® Gold UL 2818 Certified for Safety Indoor Emissions free
  • 2-year limited warranty, and 3-year warranty for ENR-G – Education, Non-profit, Religious and Government/Military organizations
  • Lifetime Tech Support by Elite Screens Professional Service Team through Email, Phone or Online Form.

Choosing The Right Sized Projection Screen

Selecting the Right Elite Screens Screen Material For Your Home Theater

Understanding ANSI Lumens & Screen Gain

Understanding Aspect Ratio & Resolution

4K/UltraHD: What You Need To Know

GreenGuard® Certification – Improving Human Health and Quality of Life

Projection Screen to HDTV Comparison

How To Perfectly Install ANY Projection Screen

The Right Projection Screen for UST Projectors

Ceiling and Ambient Light Rejecting (CLR/ALR) Projection Screen Setup Guide

Angular-Reflective Projection Screen Setup Instructions

Aeon Series FAQ’s

Q: I am assembling the Aeon Fixed Frame screen and do not see a hole for the center support however there is a center support bar included. How do I attach my center support bar?
Q: I am assembling the Aeon Fixed Frame screen and do not see a hole for the center support however there is a center support bar included. How do I attach my center support bar?

There is a hex screw that must first be inserted on the back channel of the bottom and top frames. Then, the center support bar attaches to the hex screw.

Q: I’d like to buy an Aeon CLR® 3 screen but my UST projector is 120 inches. I notice that your screens are oversized by a few inches such as 103” versus 100” or 123” vs 120”. In my case for example, I do not want an empty screen section, but the image to go all the way to the border of the screen. Can you advise?
Q: I’d like to buy an Aeon CLR® 3 screen but my UST projector is 120 inches. I notice that your screens are oversized by a few inches such as 103” versus 100” or 123” vs 120”. In my case for example, I do not want an empty screen section, but the image to go all the way to the border of the screen. Can you advise?

Most ultra-short throw projectors despite claiming they can go up to a certain size, if they have a focus adjustment should be able to adjust the picture to 103” (if a 100” UST projector) or 123” (if a 120” UST projector) and fill in the entire screen area. In some cases, certain UST projectors that have a fixed focus lens can go up to 103” and 123” with minimal impact on the picture and allowing to fill in the screen size.

Q: What are the model numbers for replacement screen material for my fixed frame screen?
Q. What are the model numbers for replacement screen material for my fixed frame screen?

Elite Screens offers replacement materials for 4:3, 16:9, and 2.35:1 fixed frame screens.

Decoding the model number: ZR92WH1-M

ZR- Sable Frame / ezFrame Series Replacement Material
92= Diagonal Size of 92″
W= CineWhite
H= 16:9 Aspect Ratio (V= 4:3, Wide= 2.35:1)
-M = Screen Type

ZAR : Aeon Series Replacement Material
Z-SBSF : Sable Frame B2 Series Replacement Material

Shop links : Sable Frame / ezFrame Series Materials, Aeon Series Materials, Sable Frame B2 Series Materials

General Fixed Frame Screens FAQ’s

Q: What is the advantage of having a black velvet covered frame?
Q. What is the advantage of having a black velvet covered frame?

In addition to an appealing aesthetic appearance, the advantage of having a black velvet covered frame is to help absorb projector overshoot.

Q: Where do I place the center support bar for a fixed frame screen?
Q: Where do I place the center support bar for a fixed frame screen?

Center support bar for larger size fixed frame screens goes inside the top of the groove located on the back of the frame.

Center support bar

Q : Can I flush mount my fixed frame screen directly to the wall/ceiling? I would like the top of the frame to be exactly where the ceiling and wall meet.
Q : Can I flush mount my fixed frame screen directly to the wall/ceiling? I would like the top of the frame to be exactly where the ceiling and wall meet.

Elite Screens does not recommend attempting such an installation as in most cases it would not be possible. This is because the frame has to be lifted directly above and then placed down onto the brackets. The brackets will then latch onto the grooves of the frame and hold it in place. Mounting the wall brackets flush to the wall and ceiling would not provide the clearance needed for the frame to be lifted above the brackets. Elite Screens recommends the wall brackets be placed no closer than 4-6”(depending on the thickness of the frame) below the ceiling as that ditstance would give you the clearance needed to lift the screen above and then onto the brackets.

CineGrey 3D® AT – Screen Material FAQ’s

Q: Your website says that CineGrey 3D® (AT)/CineGrey 4D (AT)/CineGrey 5D® are not compatible with ultra-short throw projectors. Can you explain what this combination will look like and why it will not work?
Q: Your website says that CineGrey 3D® (AT)/CineGrey 4D (AT)/CineGrey 5D® are not compatible with ultra-short throw projectors. Can you explain what this combination will look like and why it will not work?


The CineGrey 3D® (AT)/CineGrey 4D (AT)/CineGrey 5D® are angular reflective front projection materials that reflect at the mirror-opposite angle. If an ultra-short throw projector is used, the material will reflect the steep narrow light and reflect it upwards instead of to the viewer’s eye level.

Image shows how a UST projector with CineGrey 3D looks like in a room with ambient light.
Image shows how a UST projector with CineGrey 3D looks like in a room with ambient light.


Image shows how a UST projector with CineGrey 3D® looks like in a room with lights turned off
Image shows how a UST projector with CineGrey 3D® looks like in a room with lights turned off


The image appears to look good, but is still reflecting the projector light upwards and causing a hotspot in the middle of the image. Overhead lights are being absorbed/reflected off the material while providing great color saturation, image brightness, and black levels for a contrast rich presentation. Model# AR100DHD3 – CineGrey 3D® EDGE FREE 100” Diagonal 16:9 Fixed Frame with JVC LX-NZ3B 4K HDR Laser Projector



Image shows how good a performance can be obtained using a standard throw projector with ceiling lights above

Q: Will the CineGrey 3D (AT)/4D (AT)/5D® ambient light rejecting screen material cause the “hot spot” effect?
Q: Will the CineGrey 3D (AT)/4D (AT)/5D® ambient light rejecting screen material cause the “hot spot” effect?

Elite Screens’ CineGrey 3D® (AT)/4D (AT)/5D® is a color neutral smooth surface with sparkling elements to increase screen gain in an ambient light room environment. These special characteristics incorporates a diffusion layer over a highly reflective surface which scatters ambient light while improving picture performance with a brighter image. The projector itself, however also plays a big part in creating a hot spot. Projectors highest brightness levels are focused in the center, and only about 70% to 80% in the corners. In other words, the uniformity itself is not spread entirely even across the screen, thus creating a brighter spot in the center area. To combat this, we recommend the following.

1. Reduce the projector’s light output by choosing an economy mode
2. Install the projector further away from the screen, minimum of 1.5 x the image width
3. Go with a lower gain screen

Q: I have a short throw/ultra-short throw projector, will this projector work with the ambient light rejecting CineGrey 3D® (AT)/CineGrey 4D (AT)/5D® angular-reflective materials?
Q: I have a short throw/ultra-short throw projector, will this projector work with the ambient light rejecting CineGrey 3D® (AT)/CineGrey 4D (AT)/5D® angular-reflective materials?

No, ultra-short and short-throw projectors are not compatible with CineGrey 3D® (AT)/CineGrey 4D (AT)/5D® angular-reflective materials.

Q: Can I use the CineGrey 3D®(AT)/CineGrey 4D (AT)/CineGrey 5D® material for Active 3D technology?
Q: Can I use the CineGrey 3D®(AT)/CineGrey 4D (AT)/CineGrey 5D® material for Active 3D technology?

“Yes they can be used with Active 3D projectors.”

Q: How well does the CineGrey 5D®/CineGrey 3D® (AT)/CineGrey 4D (AT) perform in a dark room environment?
Q: How well does the CineGrey 5D®/CineGrey 3D® (AT)/CineGrey 4D (AT) perform in a dark room environment?

The CineGrey 5D®/CineGrey 3D® (AT)/CineGrey 4D (AT) are great for dark room environment also, but we must understand its limitations. First of all, both materials have narrow viewing angles. So if you wish to have a wide seating arrangement after 80 degrees, you will notice a drop in brightness. Second, because they are higher gain screens they reflect more projector brightness. This may tire your eyes, so we recommend using a less brighter mode if your projector has a such setting. If that is not a problem, then these materials will work. And the best thing is, because they are angular reflective material, the projector’s light will not diffuse in all directions like a matte white material. Meaning that they will not scatter the projector’s light and create side lighting. Thus, eliminating the need to absorb it with black velvet or paint a room really dark. Third, because both of these materials are made with a neutral gray substrate, the color balance and temperature will be exceptional. The dark gray also enhances contrast and great color saturation.

Q: What are the benefits of using CineGrey 3D® (AT)/CineGrey 4D (AT) or CineGrey 5D® material in a dark room with white ceiling and walls?
Q: What are the benefits of using CineGrey 3D® (AT)/CineGrey 4D (AT) or CineGrey 5D® material in a dark room with white ceiling and walls?

Projecting on a matte white screen material in a dedicated Home Cinema, typically requires a dark room environment for a great theatrical experience. Matte White materials diffuse light in all directions since that is their nature. This means that light will scatter everywhere in the room. That is why a dedicated Home Cinema room should try to have as much black walls and light absorbing materials to reduce the amount of scattered light. This scattered light eventually reflects back to the projection image and degrading the contrast ratio, color, and black levels which affect the fidelity of the picture. The CineGrey 5D’s CLR/ALR technology allows the projector’s light to reflect back at the mirror opposite end. This greatly reduces the amount of light scatter and instead focuses the light to the viewer’s sweet spot. In addition, the black microscopic layers improve black levels and color purity to increase the contrast ratio vs a matte white screen material.

Q: Is the AcousticPro UHD/CineWhite A8K/CineGrey 4D AT/CineGrey 3D AT compatible with my 3D projector?
Q: Is the AcousticPro UHD compatible with my 3D projector?

The AcusticPro UHD/CineWhite A8K/CineGrey 4D AT/CineGrey 3D AT is compatible with Active 3D projectors.  As the screen is not polarized, it will not work with Passive 3D applications.

Q: How far should I place my speakers behind the CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT and AcousticPro UHD (Acoustically Transparent) screen materials?
Q: How far should I place my speakers behind the CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT and AcousticPro UHD (Acoustically Transparent) screen materials?

A projection screen mounted flush against the wall over a properly installed in-wall speaker will have a sufficient distance by itself. There will generally be about a 1” total distance between the speaker’s dust cap (depending on make/model) and the screen with a 5mm (.2”) spacing between an in-wall speaker’s grill and the AT screen material itself.

Q: Do the AcousticPro UHD/CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT support passive 3D (polarized glasses)?
Q: Do the AcousticPro UHD/CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT support passive 3D (polarized glasses)?

No they are not polarized and do not support passive 3D.

Q: How much room is recommended between in-wall speakers and acoustically transparent screen materials AcousticPro UHD/CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT?
Q: How much room is recommended between in-wall speakers and acoustically transparent screen materials AcousticPro UHD/CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT?

As long as the in-wall speakers do no touch the materials or approximately 1”.

Q: Will I sacrifice picture quality using Elite’s AcousticPro UHD/CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT (Acoustically Transparent) screen materials?
Q: Will I sacrifice picture quality using Elite’s AcousticPro UHD/CineWhite A8K/CineGrey 3D AT/CineGrey 4D AT (Acoustically Transparent) screen materials?


All acoustically transparent materials on the market today are light enough in thickness to allow sound to penetrate it with low-level attenuation (decrease in sound quality) but normally come at the cost of having considerable light loss as well. Elite’s AcousticPro 1080P3 acoustically transparent (AT) material is an exception to this rule.  It has an astonishingly fine (.01mm) micro-perforated texture that allows sound to breathe through the fabric with minimal attenuation. At the same time, it allows the video aspects of the material to perform on the same level as a typical matte-white (non-acoustic) material does. The ultra-fine perforations of the AcousticPro 1080P3 “AT” material allows it to be used with high resolution (4096×2160 pixel ratio)  projectors. A special reflective compound coats the surface of Elite’s 1080P acoustic material to compensate for light penetration by reflecting the brightness of the projected image. All these features come together to form a product with superior acoustic transparency that has just 1% light loss while presenting a neutral color temperature (6500°-7000° Kelvin). This is equivalent and in some cases, even surpassing in video performance to a standard matte white non-acoustic projection screen.

Browse All FAQ Articles

2-year limited warranty, and 3-year warranty for ENR-G – Education, Non-profit, Religious and Government/Military organizations

Lifetime Tech Support by Elite Screens Professional Service Team through Email, Phone or Online Form.