Aeon CineWhite® A4K Series

There is a hex screw that must first be inserted on the back channel of the bottom and top frames. Then, the center support bar attaches to the hex screw.

Most ultra-short throw projectors despite claiming they can go up to a certain size, if they have a focus adjustment should be able to adjust the picture to 103” (if a 100” UST projector) or 123” (if a 120” UST projector) and fill in the entire screen area. In some cases, certain UST projectors that have a fixed focus lens can go up to 103” and 123” with minimal impact on the picture and allowing to fill in the screen size.

Elite Screens offers replacement materials for 4:3, 16:9, and 2.35:1 fixed frame screens.

Decoding the model number: ZR92WH1-M

ZR- Sable Frame / ezFrame Series Replacement Material
92= Diagonal Size of 92″
W= CineWhite
H= 16:9 Aspect Ratio (V= 4:3, Wide= 2.35:1)
-M = Screen Type

ZAR : Aeon Series Replacement Material
Z-SBSF : Sable Frame B2 Series Replacement Material

In addition to an appealing aesthetic appearance, the advantage of having a black velvet covered frame is to help absorb projector overshoot.

Center support bar for larger size fixed frame screens goes inside the top of the groove located on the back of the frame.

Elite Screens does not recommend attempting such an installation as in most cases it would not be possible. This is because the frame has to be lifted directly above and then placed down onto the brackets. The brackets will then latch onto the grooves of the frame and hold it in place. Mounting the wall brackets flush to the wall and ceiling would not provide the clearance needed for the frame to be lifted above the brackets. Elite Screens recommends the wall brackets be placed no closer than 4-6”(depending on the thickness of the frame) below the ceiling as that ditstance would give you the clearance needed to lift the screen above and then onto the brackets.

The AcusticPro UHD/CineWhite A8K/CineGrey 4D AT/CineGrey 3D AT is compatible with Active 3D projectors.  As the screen is not polarized, it will not work with Passive 3D applications.

The AcousticPro UHD/CineWhite A8K performs at its best in a light controlled environment, not in a room that will have ambient light. The material is a fabric with a special weave pattern for projection use. It is suggested to go with our standard CineWhite® material if a matte white screen is needed. Or better yet, our very best CineGrey 3D® or CineGrey 5D® material will perform better with a higher gain and Angular-Reflective front projection with ambient light rejecting technology.

A projection screen mounted flush against the wall over a properly installed in-wall speaker will have a sufficient distance by itself. There will generally be about a 1” total distance between the speaker’s dust cap (depending on make/model) and the screen with a 5mm (.2”) spacing between an in-wall speaker’s grill and the AT screen material itself.

No they are not polarized and do not support passive 3D.

As long as the in-wall speakers do no touch the materials or approximately 1”.

All acoustically transparent materials on the market today are light enough in thickness to allow sound to penetrate it with low-level attenuation (decrease in sound quality) but normally come at the cost of having considerable light loss as well. Elite’s AcousticPro 1080P3 acoustically transparent (AT) material is an exception to this rule.  It has an astonishingly fine (.01mm) micro-perforated texture that allows sound to breathe through the fabric with minimal attenuation. At the same time, it allows the video aspects of the material to perform on the same level as a typical matte-white (non-acoustic) material does. The ultra-fine perforations of the AcousticPro 1080P3 “AT” material allows it to be used with high resolution (4096×2160 pixel ratio)  projectors. A special reflective compound coats the surface of Elite’s 1080P acoustic material to compensate for light penetration by reflecting the brightness of the projected image. All these features come together to form a product with superior acoustic transparency that has just 1% light loss while presenting a neutral color temperature (6500°-7000° Kelvin). This is equivalent and in some cases, even surpassing in video performance to a standard matte white non-acoustic projection screen.